Lao She novel of the same name, the camel Xiang Zi in the set design, the old Beijing city gate and city walls, metaphor the old China will collapse, the deep connotation of the audience deeply as Randolph revealed that traditional opera art is more than just props and sets it is used to foil the performer's green leaves, a sad are hidden in it, and sometimes it changed, becoming the focus of the normal stage, such as according to Mr. Every scene on stage, props, costumes, and even the curtain are carefully studied each opera has its place, perhaps a table, sometimes a cup even such small details, like the performers on stage, are indispensable, are closely related, and together staged a gorgeous visual feast for the audience this is the charm of traditional opera. According to Mei Chen, the clothes and items directly connected to the performers were the first to appear in the performance before the set progressively arose. ![]() ![]() Each scene in traditional Chinese opera art contains the five components of "gold, wood, water, fire, and earth" cooperating, among which the stage of the earth system acts as the carrier, the gold soldier Ge, fire pottery, water system apparel, and wood furnishings.
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